As one of my bosses notes, this makes an Akron hat trick, following as it does recent news about the Black Keys and Chrissie Hynde. Here's the announcement about Joseph Arthur:
Joseph Arthur, the critically-acclaimed, Grammy-nominated singer-songwriter will be performing “Walk on the Wild Side” the Lou Reed classic on Late Show with David Letterman Wednesday, April 2nd. “Walk on the Wild Side” is the new single from Arthur’s upcoming album LOU - a very personal and difficult album for Arthur to make. But the deep friendship between the two made this a natural way for Jo to express his appreciation and connection to Lou's life and work. LOU embodies the spirit in which Arthur set about to record his own interpretations of his favorite Lou Reed songs. He performed, recorded and produced the record in his home studio. LOU will be released on May 13th and marks his debut on Vanguard Records.
Arthur premiered the video for “Walk on the Wild Side” on the AV Club which you can view here.
Joseph Arthur will be touring in support of LOU with dates including Philadelphia, Chicago, New York City and Tampa. Tour dates listed below:
LOU TRACK LISTING
1. Walk on the Wild Side
2. Sword of Damocles
3. Stephanie Says
5. NYC Man
6. Satellite of Love
7. Dirty Blvd.
8. Pale Blue Eyes
9. Magic and Loss
10. Men of Good Fortune
11. Wild Child
12. Coney Island Baby
4/19 - Ringwood, NJ – House Concert
4/30 - Philly, PA – Tin Angel
5/1 - Baltimore, MD – WTMD
5/6 - Chicago, IL – City Winery
5/8 - New York, NY – City Winery
May 10 - Tampa, FL – Heatfest
May 12 - Saratoga, NY – Café Lena
May 14 - Quebec City, QC – Theatre Petit Champlain
May 16 - Eastman, QC – Cabaret Eastman
May 17 - Lavaltrie, QC – La Chasse Galerie
May 22 - Madrid, Spain – Boite Live
May 23 - Santander, Spain – Escenario
May 24 - Sarautz, Spain – Cinema/Theatre Modelo
May 26 - Brussels, Belgium – Les Nuits du Botanique Festival
May 27 - Paris, France – Trabendo
Below is an excerpt from the album liner notes in which Joseph Arthur explains his thoughts on the journey to record LOU:
“The three weeks of touring passed by quickly and suddenly I was home, snowed-in in my studio, holidays approaching, end of tour blues, all coupled with the fact that the day I got back to NYC was the final tribute show for Lou at the Apollo and I went almost without wanting to. I was tired of mourning him and it felt like I was done, but in truth, the real mourning was only just beginning.
Death, like life, works with your resistance and finally it wears you out and breaks you down and then you are too tired to do anything but face it.
I was home alone and there was nowhere to go.
I set up some mics.
A Coles ribbon mic
And a Wunder mic which is a version of a U47 (I used those two mics on the whole record). The ribbon gives it silk and warmth, the Wunder makes it hi-fi.
The first song I tried was “Coney Island Baby.”
And I liked how it came out.
But I also liked getting to hang out with Lou again.
This was the only way to get close.
I did another song and another still.
I made a rule:
No drums or electricity.
Lou was electric.
The only way I know to give new life to something as rich with life as Lou's songs and recordings is to go about them in a completely different way.
Bill’s (Bentley) advice to just keep it simple and not overthink it kinda acted as my mission statement and in each song, I felt I revealed something new in it.
Making versions, not trying to outdo the originals (impossible), but rather versions that bring out something unheard before.
I felt I was doing that to some degree and I felt guidance in it.
I was saying goodbye. “