Container Top
Homes   Jobs   Cars   Shopping
Search

Events Calendar

EVENT SEARCH:

In This Section


Most Read Stories


Blogs:


Pets:
Cat-loving chihuahua suckles seven abandoned kittens

The Heldenfiles:
Friday Night Notebook

Patrick McManamon:
For your Saturday entertainment …

Akron Zips:
Hitchens leads Zips in second-half comeback

Tribe Matters:
Seven players added to Tribe’s 40-man roster

Cleveland Browns:
Holmgren expresses interest in Browns position

Kent State Sports:
Kent State blown out in second half, loses to Temple 47-13

Cleveland Cavaliers:
Gameblog: Cavs vs. Philadelphia 76ers

Buckeye Blogging:
OSU – Michigan college football rivals meet in Baghdad

Varsity Letters:
Four area football teams play tonight

All Da King's Men:
Headed For Disaster

Blog of Mass Destruction:
Will Health Care Reform Pass?

Akron Law Café:
Health Care Financing Reform: (68) Democrats Secure 60 Votes for Cloture

See Jane Style:
Vintage Chic

Car Chase:
TIME TO GET YOUR COLLECTOR CARS WINTERIZED

Let's Talk Real Estate:
Silverdome Potentially SOLD!

Ohio Travels with Betty:
George is looking for a Thanksgiving buffet in Akron.

Sound Check:
Steely Dan Plays "The Royal Scam" at E.J. Thomas Hall

HRLite House:
Colloquium at University of Akron

Akron Gamer:
Nintendo's Mario endures even as games come and go

Belting out the drama

'Idol' graduate Lewis uses huge voice to big advantage

By Sarah Rodman
Boston Globe

American Idol fans are well aware that acerbic judge Simon Cowell doles out compliments about as often as the IRS admits mistakes. So in 2006, when he dubbed Leona Lewis one of the best singers he had ever heard, pop-music fans took notice.

One listen to her debut album Spirit, and it's obvious what impressed Cowell. Her voice is huge. Mariah Carey-Whitney Houston-Celine Dion huge. It's the kind of voice that begs for final-chorus key changes, fluttering hand gestures, and mammoth movie themes.

A breakout star in the United Kingdom, where she won X Factor — a Cowell-produced talent contest — the 23-year-old London native boasts impressive stats. Spirit, executive produced by Cowell and Clive Davis, became the fastest-selling debut album in British history upon its release last year. Signs on this side of the pond are equally promising as first single Bleeding Love recently hit No. 1 on the Billboard chart.

That song, co-written by Ryan ''Alias'' Tedder of OneRepublic, with its pulsating chorus and lyrical melodrama, is representative of the entire album.

''I love those really dramatic songs,'' said Lewis in a phone interview.

Indeed, Spirit is chock-full of them, contributed by some of pop's most reliable hit makers, including chart kings Akon, Ne-Yo, and J.R. Rotem. Lewis splits the difference between the early-'90s diva template and a more contemporary, beat-driven style.

An adherence to time-tested formula means there are very few surprises here in terms of structure. The tracks are impeccably manicured, super-tuneful, and offer lyrics about the various agonies and ecstasies of love that are unremarkable in and of themselves but reach nuclear-threat levels of desperation thanks to Lewis' voice.

Which means tracks like the piano ballad I Will Be (which Avril Lavigne co-penned) and the ''love takes time'' rumination Better in Time are predictable yet still winning as Lewis hits her glory notes cleanly and with believable pathos. She can also do restraint, such as a moody take on Roberta Flack's The First Time Ever I Saw Your Face.

Lewis also takes on some R&B bounce with the buoyant Forgive Me and production duo StarGate's latest variation on Irreplaceable, the breezy Angel. Among the best of these is I'm You, a more R&B-tinged, I-deserve-better anthem that finds Lewis employing a smoky, equally strong lower register.

''When I was growing up I listened to a lot of Minnie Riperton, Oleta Adams, and Anita Baker,'' she says.

Take a Bow should be a strong contender for a single, offering the album's best combination of classic and au courant as Lewis belts over an ebb-and-flow groove that recalls Justin Timberlake's Cry Me a River.

In later years female pop stars are often heard lamenting how little control they exerted over their first albums. But Lewis doesn't voice any Kelly Clarkson-style regrets over creative control.

''I felt very involved,'' she says. ''I never sing a song that I'm not feeling, because there would be no point in that. So I'm very vocal about what I want, and Clive and Simon are very respectful of what I want. Altogether the album is one that represents me and who I am. Obviously I've still got different sides of me to come out, but I felt that this was a great introduction.''

American Idol fans are well aware that acerbic judge Simon Cowell doles out compliments about as often as the IRS admits mistakes. So in 2006, when he dubbed Leona Lewis one of the best singers he had ever heard, pop-music fans took notice.

Get the full article here.


Story tools

Email  Email   Print  Print   Save  Save   Reprint  Reprint   Popular  Most Popular   Reprint  Subscribe

Share this story

AddThis Social Bookmark Button
















Most Commented Stories